Thank you to our Co-producer patron Kevin Wetter for selecting this week’s topic!
This 2009 TV show, helmed by Joss Whedon, was meant to be a thematic exploration of identity and sexuality but many have argued about its problematic story. Was that because of corporate interference or Whedon’s own issues with feminist representation?
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Additional Resources:
- Adams, Pippa. Women in Science Fiction: Opportunities and Constraints of Representations in Postfeminist Worlds
- Joss Whedon on Comic Books, Abusing Language and the Joys of Genre
- JOSS WHEDON TALKS FIREFLY, DOLLHOUSE AND LEAVING TELEVISION
- The Mind-Transplant Script Whedon Wrote Before Dollhouse
- Anderson, D. (2016). Echoes of Frankenstein: Shelley’s Masterpiece in Joss Whedon’s Dollhouse and Our Relationship with Technology. Slayage, 43, 1
- Kitchens, J. (2016). Object Entanglements: From Postmodern Subjectivity to Posthuman Thingness in Joss Whedon’s Dollhouse. Studies in Popular Culture, 38(2), 1.
- Rogers, S. (2011). Joss Whedon’s Dollhouse and Joss Whedon’s Dollhouse. Journal of the Fantastic in the Arts, 22(2), 153.
- Avni, S. (2008). Inside the Dollhouse. Mother Jones, 33(6), 88–89.
- Jensen, J. (2008). Welcome to the “Dollhouse” Fan Frenzy. Entertainment Weekly, (997), 14.
- The Expired Feminism of Joss Whedon
- In defence of Joss Whedon’s Dollhouse
- Joss Whedon’s Dollhouse: Confounding Purpose, Confusing Identity, edited by Sherry Ginn, Alyson R. Buckman, Heather M. Porter
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- “Fantasy Is His Business, but It Is Not His Purpose” by Alyson R. Buckman
- The Fascinating No-Consent Fantasia of Dollhouse and Mad Men
- POSTMORTEM: WHY WE HATED DOLLHOUSE. AND WHY WE LOVED IT.
It’s our third annual Christmas ghost story episode and we’re looking into this 2011 debut of the popular horror anthology series by Ryan Murphy and Brad Falchuk. We discuss Murphy’s mission, the show’s popularity and its contrast of trashy excessive violence and sex, with themes of mainstream, heteronormative patriarchy.