“A complete archivist takeover!”
Guest: Sarah V Melton of Emory University.
First broadcast March 4 2016.
Playlist at http://www.wrek.org/?p=13915
“A complete archivist takeover!”
Guest: Sarah V Melton of Emory University.
First broadcast March 4 2016.
Playlist at http://www.wrek.org/?p=13915
This independent comedy/fantasy comic book series wasn’t intended to be for kids necessarily, but because of how savvily Jeff Smith marketed his self-publishing business, it became a hit for all-ages. We discuss Bone‘s impact on the library market, as well as its struggles with female representation and censorship.
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“If anybody thinks that any of this is going to be here by the end of the century, they’re just deluded.”
Guest: Robyn Hitchcock, Musician
First broadcast November 4,2016.
Playlist at https://www.wrek.org/?p=15328
This mainstream television series may be about the afterlife, but it also serves as a platform for defining our morality here in the real world. We discuss the team behind its creation and how they crafted a narrative that avoids political correctness, while teaching us about ethics and positivity in a time of political trauma.
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First broadcast August 17 2018.
“In your house?”
This 201 award-winning work of literary fiction has been celebrated by everyone from academics to Rolling Stone. But we look at it in light of its cultural expectations, from a “high brow” publisher, to its timidity about engaging with ethnically diverse characters.
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Encore of episode first broadcast March 17, 2017.
“The best way to truly understand anything is to talk with someone from Oklahoma.”
This 1967 movie was called “the death of cinema” by its creator, and operated as a critique of both capitalism and mainstream films. We try to understand how a man as notoriously malicious as Godard was to his cast and crew, could also use this platform to argue for a better world.
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Part 4 of AMEET VS NYAN CAT
First broadcast May 8 2015.
“You have a nemesis!”
This debut EP from a legendary Boston punk band has been held in critical reverence for over 30 years. We look to how the songs were written, recorded and distributed to try to unpack what it all does (or doesn’t) mean.
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