Dan Simmon’s 1989 science-fiction novel is acclaimed for its unique structure, references, and style. We take a closer look at how it interrogates our expectations of genre to explore a complex host of themes. Thank you to Chris Marlton for coproducing this episode.
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THRALL, J. H. (2014). Authoring the Sacred: Humanism and Invented Scripture in Octavia Butler, Kurt Vonnegut and Dan Simmons. Implicit Religion, 17(4), 509.
Shea, B. (2015). Evolution and Neuroethics in the Hyperion Cantos. Journal of Cognition & Neuroethics, 3(3), 139.
This 1962 novel is being reappraised by critics and fans as a creeping meditation on 1950s housewives, agoraphobia, and good old-fashioned New England persecution.
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This 1996 novella is about the dark history of Chilé, merged with a detective story about poets. We look at Bolaño’s career, while taking into account criticisms of his authenticity and his representation of Chileans from the vantage of his security in Europe.
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Valdes, M. (2008). His Stupid Heart: Robert Bolaño’s Novels Were a Love Letter to His Generation, But What He Had to Say Many Chileans Didn’t Want to Hear. Virginia Quarterly Review, 84(1),
Corral, W. H. (2006). Roberto Bolaño. World Literature Today, 80(6), 50–54.
This crime novel follows a wandering problem-solver who always wins. We discuss why these books are so immensely popular and the vicarious consolation we get out of the hero, his nobility and his alienation.
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This 201 award-winning work of literary fiction has been celebrated by everyone from academics to Rolling Stone. But we look at it in light of its cultural expectations, from a “high brow” publisher, to its timidity about engaging with ethnically diverse characters.
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Michael Shea was a genre writer who combined fantasy, science fiction and horror into a unique blend of wonder and imagination. Together with our guest Robert Lamb (Stuff To Blow Your Mind), we discuss Shea’s writing style and legacy.
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Fed up with humanity? Does it seem like everyone is an asshole lately? Macon Blair’s I Don’t Feel At Home In This World Anymore may be just the film you need to watch. But… does Netflix’s distribution make it less likely that a movie like this will be seen?