Tag Archives: crime

Supercontext: Heat

This 1995 film by Michael Mann is considered a quintessential cops-and-robbers epic. We look at Mann’s attention to detail and his attempt at authenticity in light of the movie’s influence on audiences, filmmakers, and real-life criminals.

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Supercontext: The Killing Floor by Lee Child (Jack Reacher Book 1)


This crime novel follows a wandering problem-solver who always wins. We discuss why these books are so immensely popular and the vicarious consolation we get out of the hero, his nobility and his alienation.

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Supercontext: I Don’t Feel At Home In This World Anymore


Fed up with humanity? Does it seem like everyone is an asshole lately? Macon Blair’s I Don’t Feel At Home In This World Anymore may be just the film you need to watch. But… does Netflix’s distribution make it less likely that a movie like this will be seen?

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Supercontext: Sicario


Sicario is a 2015 action/thriller about the difference between the drug war and the “War on Drugs.” We look at its complex themes and try to understand arguments about its portrayal of a strong female character, as well as life on the other side of the border. 

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Supercontext: Hap & Leonard, Season 1


What is pulp fiction for? We look at the first season of Sundance’s rural crime noir Hap & Leonard for answers. Does this Joe R. Lansdale adaption bring something new to platonic male friendships? Or is it simply a salad mixer you can throw plot lines into?

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Supercontext: Laird Barron’s Swift To Chase


One of the best horror writers of our time is experimenting with genre and structure in his new “mosaic novel” collection of stories. How does Laird Barron bring together Alaska, dogs, cosmic horror and inevitable death to make a new kind of literature?

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Supercontext: Hannibal


Looking back on the television series HANNIBAL, we’re enamored with its attention to detail. But how did this gruesome slash fiction make its way to network television? Charlie thinks it’s because this is a “wet” show. Christian thinks it’s Bryan Fuller performing a miracle.

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Supercontext: Flannery O’Connor’s “A Good Man Is Hard To Find”


“G.G. Allin could have been a Flannery O’Connor character.” Charlie & Chris discuss the murderous short story “A Good Man Is Hard To Find” and the difference between an author’s intent and a reader’s response. Why this isn’t considered a horror story? And is it punk rock?

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