Image: ©2011 Braydon Fuller
Guest: Robin Fay aka GeorgiaWebGurl
First broadcast October 25 2019.
“I’m delighted to point out that sometimes that’s known as a graveyard shift.”
Lost in the Stacks, Episode 443: Metadata of the Dead
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Monthly Archives: October 2019
Supercontext: Chapo Trap House
This political comedy podcast makes over a million dollars a year from its Patreon subscribers alone. We try to unpack how it gets made while learning more about the personal values associated with the “dirtbag left.”
Additional Resources:
- Meet Chapo Trap House: The Funniest and Most F**ked Up New Podcast About Media and Politics
- THE RADICAL CHEEK OF ‘CHAPO TRAP HOUSE’
- Chapo Trap House are the Vulgar, Brilliant Demigods of the New Progressive Left
- Explaining the ‘Chapo Trap House’ Podcast to the Uninitiated
- Liberals are making bank on a site called Patreon. The right calls it “hipster welfare.”
- What Will Become of the Dirtbag Left?
- Is This the Stupidest Book Ever Written About Socialism?
- Chapo Trap House subreddit quarantined for allegedly encouraging violence
- SOCIALISM IS BACK, AND THE KIDS ARE LOVING IT. Reason. Aug/Sep2019, Vol. 51 Issue 4, p55-52. 4p. 2
- ‘The Voice of the Dirtbag Left’: socialist US comics Chapo Trap House
- Chapo Trap House: Socialism for the Extremely Online
Lost in the Stacks, Episode 442: Archivists Against History Repeating Itself
Guests: Itza Carbajal and Michaela Hart.
First broadcast October 18 2019.
“We come together because of, not despite of, our professional obligations.”
Supercontext: The Weird and the Eerie by Mark Fisher
This collection of non-fiction essays attempts to define two modes of storytelling by providing examples of each from popular culture. We talk about how Fisher’s argument fits into our larger discussions of horror stories and how his definitions may be useful for considering the end of capitalism.
Interested in the media we discussed this episode? Please support the show by purchasing it through our affiliate store:
Additional Resources:
- The Revolution Will Be Weird and Eerie
- Eugene Thacker – Weird, Eerie, and Monstrous: A Review of “The Weird and the Eerie” by Mark Fisher
- Making Sense of “The Weird and the Eerie”
- In Memoriam: Mark Fisher
- why we quit: tariq goddard on leaving zero books
- Toward a Theory of the New Weird
Lost in the Stacks, Episode 441: The CASE Act
Guest: Philip Burrus of the Burrus Intellectual Property Law Group in Atlanta, GA
First broadcast October 11, 2019.
Playlist at https://www.wrek.org/2019/10/playlist-for-lost-in-the-stacks-from-friday-october-11th-the-case-act-episode-440/
“I do worry sometimes about how governments implement noble causes.”
Supercontext: Joss Whedon’s Dollhouse, Season 1
Thank you to our Co-producer patron Kevin Wetter for selecting this week’s topic!
This 2009 TV show, helmed by Joss Whedon, was meant to be a thematic exploration of identity and sexuality but many have argued about its problematic story. Was that because of corporate interference or Whedon’s own issues with feminist representation?
Interested in the media we discussed this episode? Please support the show by purchasing it through our affiliate store:
Additional Resources:
- Adams, Pippa. Women in Science Fiction: Opportunities and Constraints of Representations in Postfeminist Worlds
- Joss Whedon on Comic Books, Abusing Language and the Joys of Genre
- JOSS WHEDON TALKS FIREFLY, DOLLHOUSE AND LEAVING TELEVISION
- The Mind-Transplant Script Whedon Wrote Before Dollhouse
- Anderson, D. (2016). Echoes of Frankenstein: Shelley’s Masterpiece in Joss Whedon’s Dollhouse and Our Relationship with Technology. Slayage, 43, 1
- Kitchens, J. (2016). Object Entanglements: From Postmodern Subjectivity to Posthuman Thingness in Joss Whedon’s Dollhouse. Studies in Popular Culture, 38(2), 1.
- Rogers, S. (2011). Joss Whedon’s Dollhouse and Joss Whedon’s Dollhouse. Journal of the Fantastic in the Arts, 22(2), 153.
- Avni, S. (2008). Inside the Dollhouse. Mother Jones, 33(6), 88–89.
- Jensen, J. (2008). Welcome to the “Dollhouse” Fan Frenzy. Entertainment Weekly, (997), 14.
- The Expired Feminism of Joss Whedon
- In defence of Joss Whedon’s Dollhouse
- Joss Whedon’s Dollhouse: Confounding Purpose, Confusing Identity, edited by Sherry Ginn, Alyson R. Buckman, Heather M. Porter
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- “Fantasy Is His Business, but It Is Not His Purpose” by Alyson R. Buckman
- The Fascinating No-Consent Fantasia of Dollhouse and Mad Men
- POSTMORTEM: WHY WE HATED DOLLHOUSE. AND WHY WE LOVED IT.