This 1996 novel is infamous for its length and complex narrative structure, while being critically lauded for its themes and style. We discuss how Wallace approached the project, while grappling with revelations about how he treated women both on-and-off the page.
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Additional Resources:
- The Afterlife of David Foster Wallace
- Infinite Proofs: The Effects of Mathematics on David Foster Wallace!
- David Foster Wallace at 50: Why he still matters and always will
- MICHAEL PIETSCH: EDITING INFINITE JEST
- A BRIEF (CROWD-SOURCED) INTERVIEW WITH MICHAEL PIETSCH
- ‘Infinite Jest’ celebrates 20th anniversary
- God, Mary Karr and Ronald Reagan: D.T. Max on David Foster Wallace
- Mary Karr Speaks Out About David Foster Wallace Amid Literature’s #MeToo Movement
- 10 Things You Probably Didn’t Know About Infinite Jest
- Why Insufferable People Love Infinite Jest
- Men Recommend David Foster Wallace to Me
- 15 Facts About Infinite Jest
- Reading from the “Blind-spots”
- A Short Meditation on the Whiteness of David Foster Wallace’s Writing
- Thinking About David Foster Wallace, Misogyny and Scholarship
- The Magic of Michael Schur’s Sitcoms: Why ‘The Good Place,’ ‘Parks and Rec’ & More Are So Rewatchable
- An Interview with Michael Schur
- ‘Parks and Recreation’: ‘Infinite Jest’ references in ‘Partridge’
It’s our third annual Christmas ghost story episode and we’re looking into this 2011 debut of the popular horror anthology series by Ryan Murphy and Brad Falchuk. We discuss Murphy’s mission, the show’s popularity and its contrast of trashy excessive violence and sex, with themes of mainstream, heteronormative patriarchy.
