This Netflix program is about the early days of studying serial killers at the FBI. We look at David Fincher’s meticulous storytelling here, as well as the show’s attempts to disrupt the glorification of murder and the methodological portrayal of criminal profiling.
In the second part of our series on Dischord Records, we look at the politics of Washington D.C.’s music scene going into the 1990s… when art met commerce.
In the first of our two episodes on Dischord Records we look at the punk community of Washington D.C. in the 1980s and its conflicting ethics of politics, violence and drug abuse. Follow along with the story of Ian MacKaye and Jeff Nelson’s label until its redefining summer of 1985.