What is pulp fiction for? We look at the first season of Sundance’s rural crime noir Hap & Leonard for answers. Does this Joe R. Lansdale adaption bring something new to platonic male friendships? Or is it simply a salad mixer you can throw plot lines into?
In our 2016 holiday episode we look at the forgotten Christmas Eve tradition of telling ghost stories. M.R. James’ work from over a hundred years ago best represents this Victorian trend, so in his honor we bring horror to academia and safe spaces.
One of the best horror writers of our time is experimenting with genre and structure in his new “mosaic novel” collection of stories. How does Laird Barron bring together Alaska, dogs, cosmic horror and inevitable death to make a new kind of literature?
While talking about the dark fantasy comic “Locke and Key,” we get drawn into the complicated media world surrounding adaptations and monetization. Are comics the best engine for creative, collaborative storytelling? We look at Joe Hill and Gabriel Rodriguez’s partnership to find out.
Looking back on the television series HANNIBAL, we’re enamored with its attention to detail. But how did this gruesome slash fiction make its way to network television? Charlie thinks it’s because this is a “wet” show. Christian thinks it’s Bryan Fuller performing a miracle.
“G.G. Allin could have been a Flannery O’Connor character.” Charlie & Chris discuss the murderous short story “A Good Man Is Hard To Find” and the difference between an author’s intent and a reader’s response. Why this isn’t considered a horror story? And is it punk rock?
Alan Moore and Jacen Burrows’ horror graphic novel NEONOMICON is explicit, graphically violent, and filled with rape scenes. But is there something more to this award-winning HP Lovecraft homage/critique? And should it be banned from libraries?
Why do we watch trashy television? And why was FOX’s The Following something we watched as much as we did even though we thought it was terrible?