Tag Archives: graphic novel

Supercontext: Spinning by Tillie Walden

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This 2017 graphic novel is a memoir about growing up, figure skating, and coming out of the closet. We talk about how Walden approached the project with guidance from her editor while we look at the comics industry as a whole and the tensions between the book market and the direct market.

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Supercontext: Pride of Baghdad

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This 2006 comic by Brian K. Vaughn and Niko Henrichon is about lions escaping the Baghdad Zoo during the Iraq War. We look at how the creators approached this subject matter, why it’s been challenged in libraries and how it represents people in the Middle East.

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Supercontext: Absolute Planetary, Volume 1

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This comic about archaeologists uncovering the secret history of pop culture took Warren Ellis and John Cassaday 10 years to complete. We discuss its interrogation of genre, intellectual property and history, in light of the cyclical nature of the comics industry some 20 years after the project started.

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Supercontext: My Favorite Thing Is Monsters by Emil Ferris

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We look into the story behind-the-scenes of this surprisingly profound comic: from Ferris’ struggle with West Nile virus, to the book’s seizure en route through the Panama Canal. In addition, we discuss Ferris’ theme of “personal monster dilemmas” and how the process of creating this was like melting valuable dross from gold.

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Supercontext: Will Eisner’s A Contract With God

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This graphic novel, by one of the elder statesmen of comics, pushed the medium into new formats, genres and methods of distribution. We discuss how Eisner used a very personal tragedy to create it, as well as its unique representation of Jewish American identity.

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Supercontext: Black Panther: A Nation Under Our Feet

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This Marvel Comics storyline began in 2016 as a synergistic publishing scheme that led to the wildly successful Black Panther film. Writer Ta-Nehisi Coates and artist Brian Stelfreeze tell a tale about monarchy, nationalism, revolution, diversity and the universal trope of power.

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Supecontext: The Filth

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Grant Morrison says this 2002 comic book with Christ Weston, Gary Erskine and Matt Hollingsworth is an inoculation against the nasty horror of the world through depravity, pornography and depression. We interrogate whether that theme works in the end product and if the sexual violence within is problematic.

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Supercontext: David Lapham’s Stray Bullets

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David Lapham’s crime comic Stray Bullets demonstrates the challenges of working independently on creative art. Why did it take almost 20 years for this book to get the attention it deserves? We look into the economics of the comics industry to find out.

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Supercontext: Benjamin Marra

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Comics creator Benjamin Marra is continually described as “notorious” or an “outsider artist” but we talk to him about his genuine sentimentality for these stories. In relation to the release of his work on Fantagraphics’ All Time Comics, we review his body of work and why it might make us so uncomfortable. 

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Supercontext: David Mazzucchelli’s Asterios Polyp

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Regarded as one of the best graphic novels of our time, David Mazzucchelli’s Asterios Polyp is a story we all know in a way we’ve never seen before. We discuss Mazzucchelli’s decision to stop doing “assembly line comics” and take control of his works’ symbolism, formalism and experimentation. 

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