It’s easy to connect with the symbol that is “Johnny Cash,” whether you’re a rebel, a wanderer, or even a Christian. But how do these contradictions come together as some kind of American identity? And how do these final recordings of a humble storyteller speak to our need for the man to come around?
As part of the big four bands breaking out of the Seattle “grunge” scene in the early 1990s, Soundgarden was a combination that was not quite metal or punk. We look at why their record Badmotorfinger acts like such a strong signifier of meaning in the wake of Chris Cornell’s death.