David Lapham’s crime comic Stray Bullets demonstrates the challenges of working independently on creative art. Why did it take almost 20 years for this book to get the attention it deserves? We look into the economics of the comics industry to find out.
Comics creator Benjamin Marra is continually described as “notorious” or an “outsider artist” but we talk to him about his genuine sentimentality for these stories. In relation to the release of his work on Fantagraphics’ All Time Comics, we review his body of work and why it might make us so uncomfortable.
Regarded as one of the best graphic novels of our time, David Mazzucchelli’s Asterios Polyp is a story we all know in a way we’ve never seen before. We discuss Mazzucchelli’s decision to stop doing “assembly line comics” and take control of his works’ symbolism, formalism and experimentation.