Terry Pratchett and Neil Gaiman’s novel about the comedy of Armageddon seems to be the very definition of “twee.” We try to unpack what that concept means and how it contributes to the authors’ humanist message.
China Miéville’s novel Kraken is a meandering fantasy comedy full of political themes and a love for weird monsters. How does this author manage to weave together so many themes and genre into one book? And why does he think J.R.R. Tolkien is a “wen on the arse of fantasy”?
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The 2015 Hugo Awards showed us what happens when science fiction/fantasy fandom turns on itself. A year later we look back at the arguments and manipulations of all the parties involved: Sad Puppies, Rabid Puppies and everyone else. Given how similar this controversy’s rhetoric is to the 2016 presidential election, should we look at cultural moments like this as predictors of larger issues in society?