This television show may be an adaptation of a superhero property, but it’s unlike anything we’ve seen before. It takes the collage aesthetics from unusual comic books and turns them into Noah Hawley’s kaleidoscope of mental illness, 60s futurism and a good old fashioned love story.
Charlie and Christian examine DC Comics’ latest attempt to reinvent their publishing line. Is it really about defeating despair with hope, as writer/executive Geoff Johns has said? And is this friendly to new readers? We also look at the ethical implications of using characters from “Watchmen” in an attempt to create a shared universe with an emotionally compelling narrative.