This comic book from two of Europe’s most legendary creators both presents and parodies white male themes in the 20th century. So what makes it compelling today? Should we embrace or reject its existentialism?
How does one man find himself at the center of modern myth making? David S. Goyer’s written and directed superhero comics, films and television, but his public persona suggests something larger and more conflicted about superhero storytelling.
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Comics creator Benjamin Marra is continually described as “notorious” or an “outsider artist” but we talk to him about his genuine sentimentality for these stories. In relation to the release of his work on Fantagraphics’ All Time Comics, we review his body of work and why it might make us so uncomfortable.
Regarded as one of the best graphic novels of our time, David Mazzucchelli’s Asterios Polyp is a story we all know in a way we’ve never seen before. We discuss Mazzucchelli’s decision to stop doing “assembly line comics” and take control of his works’ symbolism, formalism and experimentation.
While examining Jonathan Hickman and Nick Dragotta’s sci-fi/western comic EAST OF WEST, we consider big ideas, character development and representation of diversity in storytelling. Also, with all its violence, sex and philosophy… would this make the perfect HBO series?
Why didn’t the dark Marvel superhero Netflix series “Jessica Jones” live up to our expectations? We look at the intersection of corporate entertainment, feminism and creativity to find out. Along the way we uncover the creepy secret of how your binge watching is being tracked by telephone surveillance.
While talking about the dark fantasy comic “Locke and Key,” we get drawn into the complicated media world surrounding adaptations and monetization. Are comics the best engine for creative, collaborative storytelling? We look at Joe Hill and Gabriel Rodriguez’s partnership to find out.