Supercontext: Touch of Evil

Black-and-white drawing of a dynamite bomb with timer. Title

This 1958 Orson Welles’ picture has been called the last of the classic film noir era. We discuss Welles’ approach to filmmaking, his conflicts with the movie studio and the thematic tensions displayed by the genre at the time. Oh, and Charlton Heston’s makeup. That gets a good 10 minutes.

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